
Austrian composer Franz Schubert
(1797–1828) completed his String Quartet No. 14 in March 1824. Along with
the A minor “Rosamunde” Quartet No. 13, it was the first chamber
music Schubert had composed for three years.
The
work's nickname stems from the second movement, a set of five variations
on Schubert's 1817 song setting of Matthias Claudius' poem, “Der Tod und
das Mädchen” (“Death and the Maiden”). This wonderfully inventive movement lies
at the heart of the quartet. It is preceded by a fiery allegro and followed by an equally forceful scherzo,
though the trio section is wistfully happy in tone.
The
final movement of this remarkable work is a lively Presto in the style of the saltarello ortarantella dance. Seemingly full of outbursts of
happiness amidst the nervous intensity and rhythmic insistence, it forms a
thrilling conclusion to the quartet.
The
String Quartet No. 14 was first performed at the residence of Karl and Franz
Hacker in 1826, but not published until 1831, three years after the composer's
death.
This
recording is performed by the Enesco Quartet.

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