
It's often been said that if modern music had a beginning, it can be found in the opening measures of this symphonic poem. An impression of the Stéphane Mallarmé poem “L'après-midi d'un faune," Debussy completed the Prélude à l'après-midi d'un faune in 1894, originally intending to write two more pieces to form a set.
Despite the revolutionary harmony that, at times, appeared to divest itself of all allegiance to key, the work was an instant success. The delicate and colorful orchestration, with its velvety woodwind and horn sounds and sparkle of antique cymbals, evokes a warm languorous afternoon. Nevertheless, some found the work too loose in conception, Saint-Saens remarking: "It's as much a piece of music as the palette a painter has worked from is a painting."
The work was later choreographed and performed by Vaslav Nijinsky with the Ballet Russes in 1912. His erotic interpretation of the music caused a scandal not unlike those at the premieres of Debussy’s Jeux and Stravinsky’s Le sacre du printemps, also choreographed by Nijinsky.
The recording is performed by the Orchestre Philharmonique des Pays de Loire under the direction of Marc Soustrot.
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